|  | | | | | | From Chapter 2: smoking was soon as common in the country as in London. On Wednesday, April 16, 1621, in the course of a debate in the House of Commons, Sir William Stroud, who seems to have been a worthy disciple of that tobacco-hater, King James I, moved that he "would have tobacco banished wholly out of the kingdom, and that it may not be brought in from any part, nor used amongst us"; and Sir Grey Palmes said "that if tobacco be not banished, it will overthrow 100,000 men in England, for now it is so common that he hath seen ploughmen take it as they are at plough." Perhaps this terrible picture of a ploughman smoking as he followed his lonely furrow did not impress the House so much as Sir Grey evidently thought it would; at all events, tobacco was not banished.
From Chapter 7: The most famous of country clergymen of the early Georgian period is, of course, Fielding's lovable and immortal Parson Adams. Throughout "Joseph Andrews" the parson smokes at every opportunity. At his first appearance on the scene, in the inn kitchen, he calls for a pipe of tobacco before taking his place at the fireside. The next morning, when he fails to obtain a desired loan from the landlord, Adams, extremely dejected at his disappointment, immediately applies to his pipe, "his constant friend and comfort in his affliction," and leans over the rails of the gallery overlooking the inn-yard, devoting himself to meditation, "assisted by the inspiring fumes of tobacco." Later on, in the parlour of the country Justice of the Peace, who condemned his prisoners before he had taken the depositions of the witnesses against them, and who, by the way, also lit his pipe while his clerk performed this necessary duty, Adams, when his character has been cleared, sits down with the company and takes a cheerful glass and applies himself vigorously to smoking. A few hours later, when the parson, Fanny, and their guide are driven by a storm of rain to take shelter in a wayside ale-house, Adams "immediately procured himself a good fire, a toast and ale, and a pipe, and began to smoke with great content, utterly forgetting everything that had happened." In the same inn, after Mrs. Slipslop has appeared and disappeared, Adams smokes three pipes and takes "a comfortable nap in a great chair," so leaving the lovers, Joseph and Fanny, to enjoy a delightful time together.
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Cigarette and Tobacco Information:
From Chapter 2: The rich young gallant carried about with him his tobacco apparatus (often of gold or silver) in the form of tobacco-box, tobacco-tongs—wherewith to lift a live coal to light his pipe, ladle "for the cold snuffe into the nosthrill," and priming-iron. Sometimes the tobacco-box was of ivory; and occasionally a gallant would have looking-glass set in his box, so that when he took it out to obtain tobacco, he could at the same time have a view of his own delectable person. When our gallant went to dine at the ordinary, according to the custom of the time, he brought out these possessions, and smoked while the dinner was being served. Before dinner, after taking a few turns up and down Paul's Walk in the old cathedral, he might look into the booksellers' shops, and, pipe in mouth, inquire for the most recent attack upon the "divine weed"—the contemporary tobacco literature was abundant—or drop into an apothecary's, which was usually a tobacco-shop also, and there meet his fellow- smokers.
From Chapter 6: William Penn did not like tobacco and was often annoyed by it in America. Clarkson, his biographer, relates that on one occasion Penn called to see some old friends at Burlington, who had been smoking, but who, in consideration for his feelings, had put their pipes away. Penn smelt the tobacco, and noticing that the pipes were concealed, said, "Well, friends, I am glad that you are at last ashamed of your old practice." "Not entirely so," replied one of the company, "but we preferred laying down our pipes to the danger of offending a weaker brother."
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Tobacco History:
Cigarettes and Literature
From Chapter 3: Tobacco's a musician, And in a pipe delighteth, It descends in a close Through the organ of the nose With a relish that inviteth. These are merely a few examples of both the praise and the abuse which were lavished upon tobacco at this early stage in the history of smoking. It would be easy to fill many pages with the like testimonials and denunciations, especially the latter, from writers of the early decades of the seventeenth century. Perhaps the most curious thing in connexion with the immense number of allusions to smoking in the literature of the period is that there is no mention whatever of tobacco or smoking in the plays of William Shakespeare. As Edmund Spenser, in the "Faerie Queene," speaks of
From Chapter 6: Many of his followers smoked, sometimes apparently to such an extent as to cause scandal among their brethren. The following is an entry in the minutes of the Friends' Monthly Meeting at Hardshaw, Lancashire: "14th of 4th mo. 1691. It being considered that the too frequent use of smoking Tobacco is inconsistent with friends holy profession, it is desired that such as have occasion to make use thereof take it privately, neither too publicly in their own houses, nor by the highways, streets, or in alehouses or elsewhere, tending to the abetting the common excess." Another Lancashire Monthly Meeting, Penketh, under date "18th 8th mo. 1691" suggested that Friends were "not to smoke during their labour or occupation, but to leave their work and take it privately"—a suggestion which clearly proceeded from non- smokers. The smug propriety of these recommendations to enjoy a smoke in private is delightful.
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